CATHERINE CLOVER |
Artworks | Info |
| OPTIMUM SCREENS FOR THIS SITE - LAPTOP/DESKTOP | |||||||||
These artworks address communication through voice and language and the interplay between hearing and listening (the vocal, the spoken) and seeing and reading (the visual, the written). Using collaboration and performance with field recording, digital imaging and the spoken/written word I am currently exploring an expanded approach to language within species and across species through a framework of everyday experience and the maladaptive, mixed and complex conditions that occur in our cities today. |
|||||||||
 |
|||||||||
Fivex Art Prize Two digital billboards, corner Flinders and Elizabeth Streets, central Melbourne |
|||||||||
| 2026 | |||||||||
New commission for Tierstimmen. Kontakt durch Klang, curated by Jessica Ullrich and Martin Ullrich at Museum Sinclair-Haus Bad Homburg, Germany opening 13 September |
|||||||||
Radiophenia The Light at the end of the Dial |
|||||||||
Bird Hide London 24, 25, 26 July Outhouse Gallery Brunswick Park London SE5 7RH |
|||||||||
| Sonorities Music Festival Belfast 15-18 April I am running two soundwalks on Thursday 16 April in the wonderful city of Belfast |
|||||||||
| 2025 | |||||||||
| An Acoustic Commons of the East Atlantic Flyway Published by Wild Pansy Press for The Writer's Room 210 mm x 210 mm, Perfect bound, B&W, 44 pages on Recycled Natural Edition of 100. ISBN:978-1-900687-96-6 Available from Wild Pansy Press, University of Leeds or direct |
|||||||||
| Aesth/Ethics: hospitality in art and society Keynote Artist for the 5th interdisciplinary Ereignis conference in Gdynia, Poland, August 9/10, 2025. Ereignis Centre for Philosophy and the Arts, Norway |
|||||||||
| Bethnal Green Nature Reserve A workshop as part of the Community Ecologies Programme July 2025 |
|||||||||
| Common Creatures, Bewildering Beasts curated by Rikke Hansen and Tanja Nellemann-Kruse. KH7 Artspace in Aarhus, Denmark |
|||||||||
| The Writer's Room Islington a four week residency with Wild Pansy Press, London | |||||||||
| 2024 | |||||||||
| Home Ground Season 11 MPavilion, Melbourne Homing Songs 2pm-4pm Sunday 15 December 2024 Listening for Homing Songs 7.30am-8.10am Tuesday 17 December 2024 |
|||||||||
| Listening Academy Hong Kong November 2024 invited artist | |||||||||
| B-Side Radio Blindside, Melbourne 21 Nov-13 Dec 2024 | |||||||||
All I want for Xmas is ... Peace Harts Lane Open & Fundraiser, Peckham, London 6-8 December, 2024
|
|||||||||
Winter Show Orleans House Gallery, Twickenham, London |
|||||||||
| Annual Open 2024 Southwark Park Galleries London Saturday 2 November - Saturday 14 December, Wednesday - Sunday, 11am - 4pm |
|||||||||
| Love Letters Book project curated by Roseanne Bartley, launched September 2024 | |||||||||
| Alternative School/Small Acts Parasite, Hong Kong. Mentor for Emerging Arts Professionals Sept 2024 | |||||||||
Songs for Silvertown and the Île de Gorée |
|||||||||
Quiet Urgency: Disturbing Sonic Ecologies 5-8 June 2024 |
|||||||||
| Deep Speech-Dialogues Inter-especes With Catherine Clover, Maeve Longvert, Oussama Tabti curated by Elena Biserna and LabGamerz as part of Biennale d'Aix Vernissage 6 April a 15h 6 April - 5 May, 2024 Chapelle Venel, 27 Rue Venel, Aix-en-Provence, France My contribution is a site specific visual response to the language of the local bird the Wallcreeper via the chapel architecture and acoustics |
|||||||||
| Eavesdropping A Festival of Experimental Musics curated by Juliet Fraser Cafe Oto London 21-24 March 2024 Experiments in Failure forum dates 23, 24 March My contribution is based on my handwritten transcription process for notating the birds, a process that is slow, awkward, dithering, faltering – a failure compared to the supremely streamlined delivery of most birds |
|||||||||
Words from the Wild |
|||||||||
|
|||||||||
In the pipeline 2025-6 |
|||||||||
|
|||||||||
Teaching (current 2025) |
|||||||||
| Acknowledgement of Country I respectfully acknowledge the Wurundjeri people as the Traditional Custodians of the land on which I work and live (Naarm - Melbourne), for which sovereignty was never ceded, and wish to pay my respects to Elders of the Kulin Nation past, present, and emerging |
|||||||||
 These artworks are licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License |
|||||||||
|
|||||||||
|
|||||||||
|
|||||||||
|
|||||||||
|
|||||||||
|
|||||||||
|
|||||||||
|
|||||||||
|
|||||||||
| AusCoLondon2023 | |||||||||
| Exegesis support material 01 | |||||||||
| Exegesis support material 02 | |||||||||
| Exegesis audio 01 | |||||||||
| Exegesis audio 02 | |||||||||
| Exegesis audio 03 | |||||||||
| Exegesis audio 04 | |||||||||
| Exegesis audio 05 | |||||||||
| Exegesis audio 06 | |||||||||
| Exegesis audio 07 | |||||||||
| Exegesis audio 08 | |||||||||
| Exegesis audio 09 | |||||||||
| Sound Place | |||||||||
| Asialink audio 01 | |||||||||
| Asialink audio 02 | |||||||||
| Unlikely audio 01 | |||||||||
| Unlikely audio 02 | |||||||||
| Unlikely audio 03 | |||||||||
| Unlikely audio 04 | |||||||||
| Unlikely audio 05 | |||||||||
| Unlikely audio 06 | |||||||||
| Unlikely audio 07 | |||||||||
| Shooting Asialink | |||||||||
|
|||||||||