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These artworks address communication through voice and language and the interplay between hearing and listening (the vocal, the spoken) and seeing and reading (the visual, the written). Using collaboration and performance with field recording, digital imaging and the spoken/written word I am currently exploring an expanded approach to language within species and across species through a framework of everyday experience and the maladaptive, mixed and complex conditions that occur in our cities today.


Collaborative performance with Peter Knight Unreliable Encounters in Jurong as part of
Why listen to animals for Liquid Architecture, 2016. Photo Credit Keelan O'Hehir

    Assembling Animal Communication
Exhibition curated by Dr. Kevin Chua
Landmark Gallery at Texas Tech University Lubbock Texas US
March 22 - April 28, 2019  
With Catherine Chalmers, Catherine Clover, Darcie DeAngelo, Lee Diegaard, Maria Lux
For this exhibition I am looking at two large urban bat colonies in order to speculate about their communication and languages: the Grey Headed Flying Foxes of Melbourne (the fruit bats) and the Mexican free-tail bats of Austin, Texas (echolocating microbats)
    Body of Sound curated by Yasmin Heisler, Cordite Poetry Review #89:DOMESTIC
with Alessandro Bosetti, Carolyn Connors, Catherine Clover, Jacob Kirkegaard, Joel Stern, Martina Copley, Ania Walwicz, A J Carruthers
Site specific interventions curated by Helen Frosi, various sites across London
June, July 2019 more soon
My project will probably take place in the fascinating Coldfall Wood in Muswell Hill, North London
    Reading Aloud Matters a short article about the role of reading aloud in my art practise. Published in December 2018 in Antennae The Journal of Nature in Visual Culture, Issue 46, Winter 2018 ed Giovanni Aloi

Jardines del Pedregal de San Ángel audio & text in the Ecomusicologia section of
Animalia Vegetalia Mineralia
 Número 10, Ano 5 an online ecological journal edited by Ilda Teresa Castro, Portugal
A bilingual journal, English follows Portuguese Link to full issue here


Speaking Volumes! Tungebundet! exhibition curated by Rikke Hansen and Tanja Nellemann
12-26 October 2018
Kaunas Artist’s House V. Putvinskio g. 56, Kaunas Lithuania
Artists/writers in the exhibition are: Catherine Clover (UK/AU), Marija Gruniuk (LT/DK), Lise Haurum (DK), Mads Mygind (DK), Louise Vind Nielsen (D/DK), Tanja Nellemann (DK), Søren Krag (NO/DK) and Rikke Hansen (DK).
My contribution is Pfeilstorch (2018) Three digital prints on paper, each 841mm x 594mm

    Fielding launch Thurs 29 Nov Sunken Courtyard RMIT City Campus Melbourne Australia Map (8mb)
What does the role of sound and audio play in the greening of urban spaces and how does this impact the well-being of people, animals and plants in the urban environment? This project explores how sound and urban greening can work together to help in the design, development and planning of our future cities.
Situated at RMIT University, City Campus in the Sunken Garden (Alumni Courtyard), artists, landscape designers, sound designers, interactive systems designers and scientists have come together to create a biodiverse green space. The site will be filled with a variety of plants indigenous to Melbourne, using experimental plots designed in collaboration with landscape architecture students.
The sound works will be heard from three speakers within the installation structure. Each speaker plays a particular set of works over the course of 100 minutes.



Teaching 2019
Swinburne University/Open University Australia Master of Writing (MA-WRI)
Semester 1 March-May PWR70001 Reading and Writing

    Creative Commons License These artworks are licensed under a
Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License


  Artworks     Info  














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    Sound Place
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    Shooting Asialink


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