CATHERINE CLOVER
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These artworks address communication through voice and language and the interplay between hearing and listening (the vocal, the spoken) and seeing and reading (the visual, the written). Using collaboration and performance with field recording, digital imaging and the spoken/written word I am currently exploring an expanded approach to language within species and across species through a framework of everyday experience and the maladaptive, mixed and complex conditions that occur in our cities today.

     
 
   

Collaborative performance with Peter Knight Unreliable Encounters in Jurong as part of
Why listen to animals for Liquid Architecture, 2016 Photo Credit Keelan O'Hehir

     
    RECENT NEWS
(these are external links, see Artworks for creative content)
    2018
    Desvarios (Ramblings) A project that concerns the migratory routes of wild birds between North America (New York City) and Central America (Mexico City). Collaborative performances with vocal artist Viv Corringham at Central Booking New York (as part of the exhibition The Garden of Earthly Delights) and Harvestworks New York, January; audio work, panel member (see below) and sound walks as part of the Minding Animals conference, Mexico City, also January
    Picking Up Static: Art, Animals and Interference panel member with Norie Neumark, Rosemary McGoldrick and Janet Solomon as part of the Minding Animals conference Mexico City, January
    2017
    Fielding Call for Audio Works
    Writing Sound Workshop mentor with Soundpocket Hong Kong, December and into 2018
    Performance at Floating Projects Hong Kong, December
    Writers as Working Artists panel member with Julian Novitz, Dean Keep and James Andre Swinburne Writers' Festival Hawthorn campus Melbourne 31 Oct
    Melbourne Prize for Urban Sculpture 2017 Finalist in the UNESCO City of Literature category, see more info here on my proposal Reading Place Aloud
    What is Zoopoetics? Texts, Bodies, Entanglement Editors: Driscoll, Kári, Hoffmann, Eva due by Christmas 2017. ISBN 978-3-319-64415-8 Very pleased to have contributed a chapter to this publication, See this link
    Norie Neumark's blog entry Can of Worms... becoming-animal June 2017
    Norie Neumark's new book published April Voicetracks: Attuning to Voice in Media and the Arts
     
     
   

Teaching 2017
Swinburne University/Open University Australia MA Writing
Semester 1 March-May PWR 60003 Reseach for Writers, PWR70001 Reading and Writing
Semester 2 June-Aug PWR70004 Writing History
Semester 3 Sept-Nov PWR70002 Online Writing, PWR 80004 Writing and New Media
@PWR70002, @PWR80004

     
     
    Creative Commons License These artworks are licensed under a
Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License
     
     
     
   

 

     
     
     
     
   
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    Exegesis support material 01
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  Exegesis audio 01
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    Sound Place
    Asialink audio 01
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    Unlikely audio 01
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    Shooting Asialink
     
     
     
     
     
     
     
     
     
     
     
     
     
     
     
   

 

     
     
     
     
     
     
     
   
     
     
     
   
     
     
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
Cath Clover artist, sound, digital media Cath Clover artist, sound, digital media Cath Clover artist, sound, digital media Cath Clover artist, sound, digital media Corvus mellori, Larus novaehollandiae, Columba livia, Corvus mellori, Larus novaehollandiae, Columba livia, Cath Clover artist, sound, digital media Cath Clover artist, sound, digital media Cath Clover artist, sound, digital media Cath Clover Clover Clover Clover birds, birds, pigeons, seagulls, corvids, crows, ravens, birds, cicadas, cicadas, cicadas, crickets, crickets, crickets, bird call artist, bird song